Volume 2, Issue 1 (2026)

Volume 2, Issue 1 · 2026

THE DIGITAL MUSE AND THE EMPTY SPACE: PROSPECTS AND CHALLENGES OF ARTIFICIAL INTELLIGENCE IN THEATRE ARTS

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THE DIGITAL MUSE AND THE EMPTY SPACE: PROSPECTS AND CHALLENGES OF ARTIFICIAL INTELLIGENCE IN THEATRE ARTS

Kenneth Efakponana Eni De

This paper explores the intersection of theatre arts and artificial intelligence, investigating the transformative potential and inherent challenges presented by this emerging technological paradi...

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INTERROGATING POLITICAL CORRUPTION IN DIRAN ADEMIJUBEPO’S NO MORE THE TAMING HAWKS AND OJO BAKARE’S ROGBODIYAN

Lilian Chidinma MOKWUNYE (PhD)

Corruption has taken center stage in contemporary African politics, permeating political, economic, religious, and social spheres. This paper examines how Diran Ademiju-Bepo’s No More the Taming H...

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AQUATIC THEATRE AND ENVIRONMENTAL JUSTICE IN SOME RIVERINE AND COASTAL COMMUNITIES IN NIGERIA

Tunde Obado OLIOGU (PhD)

The idea of aquatic theatre places performance within the ecology of water, acknowledging rivers, seas, and other aquatic environments as dynamic spaces of art and socio-political thought. This pa...

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THEORISING DRAMA: CORE PRINCIPLES OF DRAMATIC THEORY AND CRITICISM

Kester Nnaemeka Dibia, (Ph.D.)

This paper, which is not confined to a single era, examines the core principles of dramatic theory and criticism from Classical Greece to contemporary postmodern perspectives. It identifies the en...

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ENGAGING SOCIAL MEDIA IN REMODELING CHARACTER THROUGH ART AND CULTURE: A PRODUCTION REPORT

Onyekaba Cornelius

The moral fiber of the nation, Nigeria, has come under question lately as the political, social, family and religious atmosphere has been at a very low ebb level, leaving the youths with no moral co...

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